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gmercer ![]() NYC Midnight Addict ![]() ![]() Joined: 19 Jul 2006 Status: Offline Points: 345 |
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The bit of knowledge I do have anyway.
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gmercer ![]() NYC Midnight Addict ![]() ![]() Joined: 19 Jul 2006 Status: Offline Points: 345 |
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Are they in different settings or time - if they are then you kinda have to - the use of an intercut doesn't negate the need to change your slugline.
don't mean to be preachy just offering my knowledge
glenn
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trike ![]() NYC Midnight Regular ![]() Joined: 22 Jul 2006 Status: Offline Points: 173 |
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I just finished the beginning and ending scenes of mine, and I'm at 12 pages.
I'm kind've thinking that 8 pages isn't going to be enough to fit in all the exposition I have planned, as well as another action scene. Time to start channelling those Reader's Digest Condensed Books editors and take out every third word. Doug |
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Choirman6 ![]() NYC Midnight Groupie ![]() ![]() Joined: 13 Jul 2006 Status: Offline Points: 63 |
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Thanks for the intercut help! The thing is that I have two people reading the same thing outloud, but i want it to switch back anf forth between them without5 having to write the sluglines over and over again.
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Rory MacLeod ![]() NYC Midnight Newbie ![]() ![]() Joined: 22 Jun 2006 Location: United States Status: Offline Points: 20 |
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I'm 16 pages in, and at the end of Act Two. The hardest part was coming up with a plot for "Mystery/Plagiarism". Once I had the plot down, I wrote a two page outline, and off I went.
The main concern I have is fitting it all in. I'm worried that I might go over 20 pages. I have all day Friday and Saturday (off work) to do the rewrite.
All in all, I guess I'm in fairly good shape.
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gmercer ![]() NYC Midnight Addict ![]() ![]() Joined: 19 Jul 2006 Status: Offline Points: 345 |
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Thanks wenonah, The funny thing is you can suggest transitions without outright using them. If you're telling a visual story, the writer does have the oppurtunity to tell it...visually, without looking like your stepping on anybody's toes. If Only I Could Write a Short I'm Pleased With,
glenn
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wenonah ![]() NYC Midnight Groupie ![]() Joined: 22 Jun 2006 Location: United States Status: Offline Points: 111 |
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I've been writing screenplays for five years and have never used intercut in any of my scripts. Maybe I'm just lucky ;-)
glenn has good advice. |
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gmercer ![]() NYC Midnight Addict ![]() ![]() Joined: 19 Jul 2006 Status: Offline Points: 345 |
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Choirman6, One last thing - it actually isn't necessary to have intercut as long as you're going back and forth to the same slug lines. Some people feel as a writer you should limit the amount of transitions in a screenplay because it's not your job to direct the film and transitions are a directorial, visual tool. With that said you should write in the style that you feel will tell your story the best it can be told.glenn
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gmercer ![]() NYC Midnight Addict ![]() ![]() Joined: 19 Jul 2006 Status: Offline Points: 345 |
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CHoirman6
Usually an intercut is put on the right side where the transition goes or the fade out would go.
For instance:
CHOIRMAN6
Where would an intercut go in a screenplay?
intercut to:
INT. GMERCER'S HOUSE - CONTINUOUS
GMERCER
But it also is acceptable to use as a subheading.
intercut to:
The first is more traditional formatting but the second isn't wrong either.
hope this helps,
glenn
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Choirman6 ![]() NYC Midnight Groupie ![]() ![]() Joined: 13 Jul 2006 Status: Offline Points: 63 |
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I have a formatting question. Exactly how are you supposed to format an intercut between? where do you put the intercut?
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